Sunday, July 27, 2008

The Suspects A.K.A

The suspects a.k.a are :

Rizal @Gajahskin (Shouted)

Azhar Haris@Acong (Bass/Vocals)

Muzzaffar@Rudie(1st Guitars/Vocals)

Edy Zaidi Pedon(2nd Guitars/Vocals)

Ahmad Faizal@So'od(Drums/vocals)

Sil Khannaz

Perlis, the northern-most state in Peninsular Malaysia, would seem to be the most unlikely place for a death metal band to form, yet thats exactly where Sil Khannaz started out 13 years ago. Way back in 1987 while the country was swept away by the rock-wave, three cousins -- Jaie, CD and Din -- found themselves sharing the same interest in a local black metal ancestor, Blackfire. Inspired by the now-defunct Blackfire, the boys roped in a buddy, Che Mat, and formed Sil Khannaz with Jaie on vocals, CD on guitar, Din on bass and Che Mat on drums. Since the music scene in Perlis was not conducive to their future as a death metal band, Sil Khannaz moved to Kuala Lumpur, hoping to strike it big. They went through a bit of a shake-up when Che Mat did not agree with the move and left. But the remaining members of the band did not lose hope. Kuala Lumpur indeed gave the group a bit more space to move and more opportunities to expand their musical talent. They managed to secure some small gigs at clubs in the city but the big score still eluded them. In July 1990, Sil Khannaz recorded their demo Doctrine To Hell. The album had shades of black metal influences but unfortunately the demo did not do well on the market. It did however manage to arouse interest in some people. In 1991, the band was offered the chance to do a death metal compilation album with Brain Dead, Silent Death, Picagari and Suffercation but the project never got underway. Sil Khannaz was undaunted in any case and kept honing their musical skill and playing at clubs. During their club stint, they met Tom, a bassist, and Lan, a drummer (from Infectious Maggots), and persuaded them to join the band. In July 1992, Sil Khannaz recorded their second demo -- Assassin Led By Blasphemy. Their music progressed with better arrangements and production. Assassin Led By Blasphemy marked the birth of the true Sil Khannaz sound and helped the band shrug off the black metal tag. In the demo, they experimented with original compositions that reflected a mixture of western aggression and eastern moods. The demo was well received and record label VSP Malaysia signed Sil Khannaz as their recording artist. But just as the band seemed to be knocking on the right doors, Din had to leave. Joe Slaughter (Infernal Death) was recruited to replace him. The bands mass-market debut album Conception Of Madness was released in February 1993. It drew some positive reviews and the CD sold 20,000 units. This drove the band on and in 1994, Sil Khannaz released a self-financed album Pendita Gila EP with Nebiula Productions. However, Tom and Joe had to leave the band not long after while Lan struggled with his commitments to Infectious Maggots. Replacements were sought for Tom and Joe while Lan left his former group for good to concentrate on Sil Khannazs next album. By then, Hashim Pestilence and Dark E had become part of Sil Khannaz. Gerbang Kayangan was recorded in 1997 and sold 22,000 units. The album is unique in that it featured classical Malay and tales and legends from long ago. After series of mini tours, Sil Khannaz recorded the live album, Stronger Than Before, on the Malaysian National Day, August 31, 1998. A year later, their digitally re-mastered album, Conception Of Madness was re-issued with three bonus tracks. Sil Khannaz is currently composed of Jaie Jokhannaz (vocals), CD (guitar), Dark E (guitar), Hashim Pestilence (bass) and Lan Bye (drums). Record Label: Nebiula Productions Distribute By: PonyCanyon Music Discography: Conception Of Madness (1992), Pendita Gila Mini Album (1994), Gerbang Kayangan (1997), Stronger Than Before (Live) (1997), Purnama 13 Compilation (1999), Conception Of Madness (re-issue) (1999) and Bara Pawaka (2000).

Friday, July 25, 2008

Estrella


Formed in 2006, Estrella originally consisted of three members; Ashraf, Syariful Adzwan (Yob), and fronted by Liyana. In May 2006, the Troubaganger acoustic gig marked their first-ever performance, initially winning over the audience at cozy La Bodega KL. However, very soon after the three members were then reduced to the current two as Ashraf decided to leave the band for personal reasons.

Armed with their guitars and heartfelt tunes, Liyana and Yob began circulating the local music scene with their own brand of acoustic music. Numerous open-mic sessions and gigs at notable shows around town followed suit; namely Moonshine, Troubadours, Doppelganger, and No Black Tie, and the band began to generate more attention for the duo from both the audience and the organizers.

In June 2006, Estrella’s first single, ‘Take It Slow’ was featured in Troubadours’s “The Voices Next Door” compilation album, and the song was then taken by RedComm productions as part of the soundtrack for the SunSilk TV series Impian Illiyana which ran for 13 consecutive weeks. Gaining some pretty decent exposure in the media as well as the indie scene, friendships were also made with likeminded individuals and groups along the way, providing them with even more ideas and opportunity to grow musically.

Having captured the attention of the Laguna Music masterminds, Estrella further evolved their genre from indie jazz to a slightly more complex sound, with dreamy and spacey after-effects. Under the suggestion of Laguna Music Producer, Jeffrey Little, the strummers now became a light band - with members, Shamsul Idzwan on percussions and Jeffrey Little, himself on drums.

Making rounds at gigs around town as a full band, opening for Seven Collar T-shirt for their showcase ‘A Seven Collar Sonique Cinematique’ and performing at the annual KL Sing Song 2007 show alongside notable singer-songwriters like Azmyl Yunor, Pete Teo and Shanon Shah, gave the band ample media exposure and a good headstart.

Having worked their way to perfecting their existing and new material, Estrella’s self-titled album was released on the 28th of December 2007. Following the release of the album, Estrella released two singles, ‘Ternyata’ & ‘Stay’, to reach-out to both the Malay & English markets.

Everyday musings and inward thoughts are the main elements in their music, using simplicity as the main staple. Being so new to the scene, Estrella is simply going with the flow, and taking in stride whatever it is that comes their way. Keep you ears peeled for this act, they’re bound to reach and capture the hearts of music-enthusiasts everywhere.

Mocca


The story began when Arina (vocal and flute), Riko (guitar), Toma (bass) and Indra (drum)– got together in a college band. After a year of struggling with the boredom of performing other people’s music, they decided to write their own songs.
In 1997 they composed four songs, unfortunately, those songs weren’t well accepted by the other members of the band. After caught up in conflicts and tons of disagreements, the band decided to split up leaving Arina and Riko mystified with their deserted materials.
“From waltz and bossanova to ’70s disco and rock, each song (written in English) has a different beat determined by the girl’s mood. When playing live, MOCCA is supported by six additional players on keyboards, guitar, percussion, trumpet, trombone and sax.”
Their debut album “My Diary” contains 13 songs written from a girl’s point of view and her diary entries. The album starts with a Once Upon A Time and is followed by a song telling of a first encounter with her Secret Admirer. Then after much hesitation in Twist Me Around, she decides to go steady with the boy in Me & My Boyfriend. In Telephone they break up, understanding that When the Moonlight Shines, they just weren’t meant for each other and thus, Rain Will Fall, Life Keeps On Turning.
From waltz and bossanova to ’70s disco and rock, each song (written in English) has a different beat determined by the girl’s mood. When playing live, MOCCA is supported by two additional players on keyboards and trumpet.

Thursday, July 24, 2008

Offside


They really love the oi!/punk Sound, so they have decided to form a band.In year 2003 Offside has record two songs for the wait semenet a.k.a lust minute compilation which were produced by Stuck Music Record. Then on the 3rd March 2004 they has came out with their first "ep" called Offside "never say" also produced by Stuck Music Record and themself.

Wednesday, July 23, 2008

Dead Mushroom

~From the DRUMMER'S P.O.V~ Those days, Pak Tam BB & Hard Rock was 'The Place'. It was in the mid 90s where I had the opportunity to try out with a newly formed unnamed band. Their former drummer flew off to Australia and left them searching high & low. I wasn't in any serious band at the time so I took the offer. Eventually, the jam session hooked up well and everything else is history and history became everything else! Back in '96 DEADMUSHOOM together with SPIRAL KINETIC CIRCUS (fathul, nazeri, andy & ajin) came out with a SPLIT RELEASE DEMO 1996, recorded live under Neitherworlds Tapes Unlimited. The songs were recorded at two studios: 1. ESE** (Bach & Traz bangsar) in July and 2. SGJ brickfields in October engineered by ajin. SIDE 1 Mr Alien Dragon Girl Wake up Drownin Sun Flower SIDE 2 Fly My Soul** Yesterday** Hard** Dawn Suicide Hill...

Monday, July 7, 2008

OAG


When Positive Tone released OAG's Old Automatic Garbage album in December 1994, no one was expecting that the group of four teenage boys who describe their music as "60s Crunchy Pop Fuzz" would open a new chapter in local English music. The 11-song album backed by the national hit '60s TV' not only became the biggest ever English hit, it opened the doors for more appreciation towards home-made English music. If not for that album, local English music might still be considered as "underground" if not second class. Old Automatic Garbage went triple-platinum and helped spark off the commercialization of alternative music into mainstream Malaysia. OAG never looked back since : They wrote and performed the Official 1997 FIFA World Youth Cup song, a song that was also released in 8 European countries. They also participated in a landmark alternative compilation album called Boys & Girls 1+1=3 which introduced other groups like Nice Stupid Playground, IntoXicated, Brodwyn ( later re-named Juliet The Orange ) and a solo act Nita. "Boys * Girls 1+1=3" went platinum. In 1997, OAG released EP 67, an EP that went gold in 3 days. The EP was a landmark and a wonderful experimentation between alternative and dance music. OAG then released Melody Mocker in 1999. The album included a groundbreaking CD-ROM section where fans can not only view the various lyrics, artwork and interviews of the group; they can also re-mix certain OAG audio samples for fun! The CD made it to the 1999 PIKOM-Computimes Finals in the CD-ROM category and also managed to gain a GOLD sales award. EIGHT YEARS AFTER "60s TV" OAG released Opera Radhi-o Friendly. This time around OAG set their eyes on a bigger goal than just to conquer the English-listening crowd: They expanded their horizons and also attracted the Malay-listening crowd. Opera Radhi-o Friendly has sold over 20,000 units, helped by their ultra-cool animated music video for "Slumber", a song that climbed to the 1 spot on Carta Era. Many were left open-mouthed, astonished at the high level of songwriting and music production found in Satelit Ink, their latest album. If the highly-successful precious album Opera Radhi-o Friendly marked the beginning of a new era for one of the most-loved alternative pop groups in Malaysia, Satelit Ink has confirmed OAG's status as a credible yet commercial indie pop outfit, capable of attracting listeners and ardent fans from all walks of life and of all ages. Their hit "akustatik" is a statement of poetic beauty, excellently guided through with beautiful inter-weaving guitars. In fact, all the tracks on Satelit Ink are just too deliciously wondrous and it is a musical crime to even try to describe the songs here. One just has to listen to the album and be taken away on an incredible musical journey. Close your eyes, let your mind go free and i'll bet that you won't want the music to stop. After former members Naza, Alem and Mon left OAg to form rival band 'The Times', Radhi shopped around to recruit a new line up to form the OAG that we know today. OAG now consists of Radhio on vocals, Fizul on guitars, Nizam also on guitars, Eric on bass and Zul who still remains on drums. OAG has just released their latest studio album OrAnG.

Thursday, July 3, 2008

Disagree


The year was 1995. The conception of Disagree took form between the brotherly bonds of two high-school buddies, Zahid and Hamka. Together with band members Lan and Amir, the quartet gigged around KL and did what every band in Malaysia did: Recorded their first demo! “We made Never Cry Wolf in ’96, in a house which was also a studio. I think it was called Bach & Traz. It also seems that we were the last band to record there. They closed down a week later. It didn’t cost us much, but it sounded great at the time. We managed to lash out 10 songs in 2 hours. Only 2 of them survived in our present jamming list today.” Zahid It wasn’t until interests were sparked in ’97 by a small independent label, did Disagree record their 2nd demo, untitled. However, as fast as the spark of interest lit, it died due to internal label obscurities and Disagree hopes were dashed. On the roll downhill, the band started to show signs of cracks. Members were focusing their interests on other things and the lack of commitment from everyone brought Disagree into a slow, sleeping, lull. What started between two classroom buddies and carried on through high school seemed to be ending as they entered the work force. Stretched out to its limit, Disagree took a hiatus from the scene for two long years and would have completely fizzled out into oblivion, had it not been for those rumors!? It carried throughout KL, these talks of a rock concert! Zahid and Hamka dragged themselves out of bed for it and headed out to the One Utama car parking lot, where indeed, like the rumors said, a rock concert was being held. “We were blown away at whole experience of being in the crowd and dreamt of being on stage entertaining the crowd.” Zahid Ironically, it was the first ‘Rock The World Concert’ that gave Disagree the swift kick up the arse that it needed, to get it together, and with it came some crucial decision making. The band name remained even with the arrival of newcomers Aziz and Ashroff and with it, an arduous gigging schedule for the next 5 years. Disagree slowly seeped into the scene and played just about anywhere and everywhere that it brought them, gigging like there was no tomorrow. It paid off. Disagree had begun to make a name for themselves. The beginning of 2001 saw Disagree create their next demo that would inevitably cause a ripple effect in the scene: Homemade Jam. This demo gained radio airplay on Wow FM as well as Hitz and various magazines voted the demo the most popular and groundbreaking demo to be reviewed. “When we made Homemade Jam we never expected the kind of reception that we received. It was just simply amazing how much a small demo from a small band can affect people.” Zahid They started to become more actively involved in the scene as they stepped into the shoes of gig organizers. The Fat Ant Music Festival was created and Disagree took on 30 local underground bands and promoted them for a month. Later that same year, Disagree opened for ‘Rock the World II’, one of their biggest achievements to date and continued to be in the lineup for ‘Rock The World’ III & IV. It was around the time of Rock the World III when Fat Boys Records, an independent label who signed grungers Naked Breed and was headed by LO, sparked an interest. With talks beginning in 2003, Disagree went away to tighten their set for the recording of their debut album. After 10 back breaking months and 11 tracks later, the arrival of their mastered album from California, completed this chapter. Disagree released their debut album ‘At the End of the Day’ on February 10, 2004 to the Malaysian masses and they couldn’t be happier! “We're just a band that wants to succeed and do our best.

Wednesday, July 2, 2008

Shizuka


In early 90's, 4 friend decide to formed a band called HeadCleaner. Heavily influenced by Greenday, Sea Sick Pirate and alike at that time, HeadCleaner was one among very small number of bands played punk rock along Toxin 99% etc in Ipoh. The band contributed 2 songs in Bodysurfmusic earliest Kopi Sechewen 1 Compilation featuring many talented band in Ipoh. The band played a few gigs around Ipoh before releasing their first demo tape "Do Problem". The band split-up just before releasing their 1st EP "Life's Less Solution" in 1994/95 after their singer/songwriter, Art decided to quit the band because of his personal problem.

The lead guitarist of the band, Pyan who still did not ready to follow that path decide to try his crappy style of songwriting which is much softer-side of Headcleaner. With a female vocal joining the three of them (which they forgotten her name), Pyan decide to called the band Dream Project before changing it to Shizuka and The Bad Dreams. Somehow the "forgotten female vocal" went MIA just before they records their first 2 track included in Fresh and Crisp Compilation produced by their own indie label Hatequarters [now known as ihateshizukamusic] forcing Pyan to take her place as a vocalist. Shizuka then joined by Elly in 1997 to take empty spaces left by Nua who didn't feel playing the bass was giving him fun anymore. He then appointed himself as a rhythm guitar and later as a keyboard player for the band.

Since they were no longer with a female vocalist they decided to drop the The Bad Dreams leaving only Shizuka which easier to to pronounce, said Wan the drummer. Shizuka then records another 2 tracks for the Kopi Sechewen II produced and distribute by Bodysurfmusic. The track Redline95 become their stepping stone for Shizuka to be known among friends throughout Malaysia.
In 2002 they released their 1st EP "Records of a Lifetime" consisting 7 songs + 1 Rerecorded version of "The Car" previously released in Kopi Sechewen II Compilation. The EP were sold out and will be reissue in near future said Pyan when asked about the EP availability. Shizuka played a couple more shows before went into near hibernation mode by only releasing to the internet one Pyan accoustic solo track in late 2002 ; Goodbye [enough is enough]. Later in 2004, Ijan joined the band taking Elly position [Elly are now in a band called The Hans].

Download :

Shizuka - Blue Boo Boo.mp3

Shizuka - This Song Is For Mira.mp3

Shizuka - We Believe.mp3

Shizuka - The Car.mp3

Shizuka - Hold On Tight.mp3

Shizuka - Redline.mp3


The Otherside Orchestra


The band on everyone’s lips these days is a little ensemble called The OtherSide Orchestra. Actually, “little” is an understatement. Consisting of members Wan, Izwin, Haizal, Rasheed, Angah, Azan, Shah and honorary members Rifal, Batak, Faiz and Izzat, there’s definitely strength in numbers as far as OtherSide is concerned.
With such a large group, one is inclined to think their live performances would be impossible to watch. But therein lies the band’s appeal. While Wan, Izwin, Haizal, Rasheed, Angah, Azan and Shah work it on stage, Rifal provides special lighting effects to complement their music. Batak, Faiz and Izzat are in charge of sound, creating and controlling vocal effects. Suffice to say, watching this band live is unlike any other in the scene. “There are many of us in the band, and we have all kinds of sounds – sort of like an orchestra,” explains Izwin about their band dynamics. “But we’re a different kind of orchestra, the ‘other’ kind. So the [band’s] name just made sense.”
With an album entitled Electromancetacy out, the band has been gigging non-stop and getting a lot of attention along the way. For a band that has only been at it for a year, being touted as an “It” band is definitely flattering. Izwin says, “We didn’t expect it because it happened so fast. But the scene is growing and people are curious to check out new bands. Besides it helps that we sound different and have so many people on stage.

Nitrus

KENYATAAN AKHBAR Kebangkitan kumpulan muzik independent tempatan menguasai industri muzik tempatan masa kini disambut positif. Perjuangan dilakukan kumpulan terdahulu kini menampakkan sinar. Penganjuran persembahan ‘gig’ secara tidak langsung berjaya memperkenalkan karya terbaik dihasilkan beberapa kumpulan dan antara pelopor kepada perkembangan muzik indie ini, kumpulan Nitrus yang dianggotai Edriely Ibrahim- Eddie (Vocal/Guitar), Syed Helmy Alhabshi - Syed (gitar utama), Mohd Azle Mohd Isa - Bob (bass) dan Iskandar Syah Ali - Is (drum). Permulaan Nitrus & Anugerah Artis Harapan AIM 2002 Memulakan kerjaya muzik sekitar 1999, demo dihasilkan Better Days dan Twisted berjaya menarik minat Posse Records sekali gus memberikan ruang kepada Nitrus untuk bertapak dalam industri muzik tempatan dengan merakamkan dua lagu terbabit dalam album kompilasi Another Boring Sunday. Permulaan awal memberikan pulangan besar kepada kumpulan Nitrus apabila memenangi Anugerah Artis Harapan di Anugerah Industri Muzik (AIM) 2002. Album Sulung RASA Album sulung Nitrus muncul dua tahun kemudian, RASA yang turut memuatkan kembali lagu Better Days dan Twisted. Lebih menarik apabila mereka turut menghasilkan lagu dalam Bahasa Melayu, Kamu dan sekali gus membuktikan kemampuan mereka apabila album terbabit turut dicalonkan dalam kategori Album Poprock Terbaik, AIM 13. RASA berjaya mengukuhkan kedudukan Nitrus antara kumpulan diminati kerana karya yang dihasilkan sangat bermutu dan mampu menarik hati peminat industri muzik tempatan. Mereka turut menjadi kumpulan indie pertama berbahasa Melayu layak dicalonkan dalam AIM13. Album Baru “? “ Hampir dua tahun menyepikan diri, Nitrus kembali dengan karya-karya terbaik mereka menerusi album ? yang mula dipasarkan dan dilancarkan 8 April ini. Walaupun sibuk dengan pembikinan album kedua, Nitrus tidak meninggalkan peminat dengan tanda tanya sama ada mereka masih aktif atau tidak kerana lagu Hujung Dunia yang menghiasi latar filem Good Bye Boys dan turut mendaki carta lagu popular tempatan menjadi pengubat rindu. Album ? mengambil masa setahun pembikinannya bermula daripada proses penyusunan lagu, rakaman, adunan sehingga suntingan. Pastinya dalam usaha memastikan album kedua ini lebih mantap berbanding karya sebelumnya mereka turut berkolaborasi dengan pemuzik handalan dalam industri muzik tempatan. Proses rakaman album ? berlangsung selama enam minggu di penghujung tahun 2007 di tiga buah studio iaitu Surtin Record Studio Kota Damansara, NSR Studio Taman Tun Dr Ismail dan King Studio Petaling Jaya. Proses rakaman ini sekali lagi menemukan anggota Nitrus dengan tenaga kerja cukup berpengalaman seperti jurutera studion Amir dari NSR Studio yang pernah menghasilkan album Exist dan Jinbara, Greg Henderson (Ferhad, & Butterfingers) dan Zairi (Search, Kristal & XPDC). Syed sendiri turut terbabit dalam kerja-kerja susunan lagu terpilih yang dimuatkan di dalam album ini. Album ? menampilkan 10 lagu seperti Sisa yang dijangka akan menjadi satu lagi lagu yang bakal menaikkan nama Nitrus terutama apabila mengadakan persembahan secara langsung. Masih mengekalkan konsep rock namun kali ini lagu-lagu yang dihasilkan sendiri anggota kumpulan Nitrus terutamanya Eddie dan Syed turut disulami irama lebih ringan dan komersil. Cinta pula menampilkan sisi jiwa Eddie dalam menghasilkan lagu cinta bersama lirik cukup meruntun rasa. Single pertama Resah bakal menjadi lagu cinta melankolik diminati ramai dengan liriknya cukup tajam. Lagu lain seperti Benar Salahku and Selalu Di Hati juga tidak kurang menarik. Selain itu ada beberapa tema dalam lirik dihasilkan lebih dekat dengan kehidupan semasa seperti perhubungan, ketuhanan, kritikan sosial. Mendengar keseluruhan lagu di dalam album ini, pendengar akan mengalami satu kembara muzik yang bervariasi dan mengusik emosi . Apa yang menarik apabila album ini dilancarkan secara digital sebelum ia dipasarkan secara fizikal dalam bentuk cakera padat. Sudah tentu dengan penampilan penyanyi baru turut membawa perubahan kepada karya dihasilkan anggota Nitrus. Sentuhan kumpulan ini dalam menulis lagu biasanya memaparkan perbezaan citarasa setiap anggota berbanding kebanyakannya lebih mudah menerima konsep ditetapkan. Perkara ini jelas kedengaran dalam album ?. Ia merupakan hasil kerja kolektif. Pengaruh muzik baru berserta dengan pengalaman dimiliki memainkan peranan penting dalam menghasilkan album ini.

Plague Of Happiness


Band Members
Nas
(Guitar & Voc)
Ipin (Bass,Backing voc)
Atoi (Trumpet)
Azmal (Tenor sax)
Nausad (Trombone)

Our sexy sessionist
Arab (Guitar)
Pozy (Drum)

Our tough Crew
Tawil (Chief Crew)
Ontot (Crewiew)
Ajen (Crewiew)

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